Robin Givhan

FASHION CRITIC AND STYLE WRITER

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Thursday, July 7, 2011

Nancy Grace: Ssshh
It's been such a long time since I've posted on my blog. The day job has been keeping me busy. But I must admit that I have been fascinated with the anger that regular spews from the mouth of Nancy Grace, particularly in relation to the Casey Anthony case, of course. I try to watch as little of Grace as possible because I'm always fearful that if I linger too long on HLN that I will literarlly witness the spontaneous combustion of a human being. She runs so hot with righteous indignation.

She was, of course, in rare form during the Anthony trial. But she is always hard to take. And I'm not proud to say this, but I always feel she'd be a little less painful if she didn't look like such a  hard-edged bully. She looks like the kind of boss who'd go out of her way to make you cry and then take you to task for being so weak that you shed a tear.

Everything about her is angular and sharp: from the prickly hair cut to the piercing eyes to her intensely arched eyebrow to the peak lapels of her jackets. She's all sharp elbows, anger and gnawing southern drawl. I wonder what she would be like in a courtroom. Would she attempt to browbeat a jury into a conviction?

I didn't follow the Anthony trial. I guess I'm alone in that. I know next to nothing about the duct tape, the lies or even what Anthony did or didn't accuse her father of doing to her. But I long ago made the decision that Grace was too aggressive for my taste.

In her style, I always get the impression that she's trying to exude no frills power and authority. That she's not trying to dress in a masculine manner -- a la John T. Molloy's old-school "Dress for Success" manual. But she is trying to come across as strong and determined. But it seems to me that when your voice and demeanor are already on pissed-off over-drive, you don't really need to wear a black leather blazer to get toughness cred'. Grace's style acts like a bullhorn to an already loud and obnoxious voice. So much so, that it makes my ears bleed to look at her.

Grace may never speak in measured tones. Indeed, I'm sure she believes that she is speaking up for all those who have no voice. But as she shouts her passionate, guitly-because-I-said-so opinions, her style doesn't need to  ratchet up the volume.
1:18 pm edt          Comments


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Robin Givhan

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Biography

 

Robin Givhan grew up in Detroit, Michigan. She received her Bachelor of Arts in English from Princeton University and a Masters of Science in journalism from the University of Michigan.

 

In 1988, she began her career in journalism at the Detroit Free Press, where she was a general assignment entertainment writer. As the newest member of a section dominated by experienced critics, she was left to carve out her own niche: nightlife. She documented the rise of the techno music industry in Detroit.

 

She left Detroit for a brief stint as a feature writer at the San Francisco Chronicle, where among other topics she wrote about a local radio talk show host who successfully counseled teenagers in crisis over the airwaves.

 

She returned to Detroit as fashion editor in the early 1990s and moved to the Washington Post in 1995.

 

Since that time, she has been the fashion editor of the Washington Post where she covers the news, trends and business of the international fashion industry. Her work is distinguished by the way in which it examines fashion through the lens of popular culture, politics and social anthropology.

 

In 2009, she began covering Michelle Obama and the cultural and social shifts stirred by the first African American family in the White House.

 

She lives and works in Washington, DC. 

 

Her work has also appeared in Harper’s Bazaar, American Vogue, British Vogue, Marie Claire, Essence and the New Yorker. She has contributed to several books including “Runway Madness,” “No Sweat: Fashion, Free Trade and the Rights of Garment Workers” and “Thirty Ways of Looking at Hillary: Reflections by Women Writers.”

 

She has received numerous awards including several from the American Association of Sunday and Feature Editors. In 2007, she received the Eugenia Sheppard award for journlism from the Council of Fashion Designers of America. In 2006, she won the Pulitzer Prize in criticism for her fashion coverage.

 


In 2010, her book "Michelle: Her First Year As First Lady" was published in conjunction with the Washington Post.

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In 2006, I became the first fashion writer to win a Pulitzer Prize for criticism.

These are the stories that were submitted to the judges.

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