Robin Givhan

FASHION CRITIC AND STYLE WRITER

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Monday, February 22, 2010

Catching Up: Blizzard Shopping Spree, New York show and Vanity Fair

Oh I have been so remiss in blogging! Shame on me! My only excuse is that I was swept up in the busy, busy days of New York fashion week. Oh, and the multiple blizzards in DC. You'd think I would have spent some of my blizzard time blogging, but instead, I merely decided to purchase virtually everything I could find on the J.Crew website. Thank goodness the snow is melting. My Amex card was beginning to smolder.

 

New York fashion week was, in a word, so-so. I thought the Marc Jacobs show was far and away the best collection. And I think Ralph Lauren is in a bit of a slump. He needs to find his mojo. Don't we all have moments like that?

 I stayed at a new hotel called Ink48, which is a Kimpton Hotel. It's way the heck over on 11th Avenue and 48th Street. It was convenient to the gallieries in Chelsea, but it was sooo cold I was too much of a wuss to walk down there. Maybe in September.

 I can't say that there were any standout moments during the week in terms of razzle-dazzle. And frankly, that's ok. The American fashion industry needs to be serious and figure out how to provide consumers with great, interesting clothes. Every time I write about how the clothes need to be more grown-up, I worry that I'm writing from the point of view of some old fart. But honestly, a little age has made me realize that the only people who can afford the clothes are older women and the styles just aren't catering to them. I don't mean, whiney 40-something women who go into a tizzy because a dress emphasizes the waist or is backless or sleeveless. Most of these women have perfectly fine bodies and just need to woman-up and get a little confidence. I mean the stuff that looks like it was meant for a 18-year-old still pretending to be a rock star. That makes no sense at designer price points.

I look forward to the Oscars and I look forward to seeing what Gabourey Sidibe will wear because she has been such a controversially big girl. I've stayed out of the kerfuffle over her absence from the Vanity Fair cover. But now after being happily surprised by the diversity on the New York runways -- and seeing how great that diversity looked -- I'm even more aggravated by the Oscar cover. I think the explanation for all those ivory girls in pale ensembles on the cover of Vanity Fair -- and no brown-skinned actresses in sight --- is a complicated mix of all the -isms, including the big one: racism. I wouldn't expect them to put some black  chick on the cover just because. But the absence of Gabourey is kinda glaring. Maybe she was already booked for something else. Or was out of town. Or on vacation.

Or maybe Gabourey simply didn't fit the aesthetic. And if that's the case, I'm not angry with Vanity Fair....I'm embarrassed for them.

8:57 am est          Comments


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UPCOMING EVENTS

Join me on May 11 in Washington, DC at "Suited for Spring" - a charity luncheon benefitting women re-entering the workforce

Podcast: "The Washington Catwalk: The Vivian R. Shaw lecture at the University of Michigan (Oct. 28, 2010)"

Robin Givhan

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Biography

 

Robin Givhan grew up in Detroit, Michigan. She received her Bachelor of Arts in English from Princeton University and a Masters of Science in journalism from the University of Michigan.

 

In 1988, she began her career in journalism at the Detroit Free Press, where she was a general assignment entertainment writer. As the newest member of a section dominated by experienced critics, she was left to carve out her own niche: nightlife. She documented the rise of the techno music industry in Detroit.

 

She left Detroit for a brief stint as a feature writer at the San Francisco Chronicle, where among other topics she wrote about a local radio talk show host who successfully counseled teenagers in crisis over the airwaves.

 

She returned to Detroit as fashion editor in the early 1990s and moved to the Washington Post in 1995.

 

Since that time, she has been the fashion editor of the Washington Post where she covers the news, trends and business of the international fashion industry. Her work is distinguished by the way in which it examines fashion through the lens of popular culture, politics and social anthropology.

 

In 2009, she began covering Michelle Obama and the cultural and social shifts stirred by the first African American family in the White House.

 

She lives and works in Washington, DC. 

 

Her work has also appeared in Harper’s Bazaar, American Vogue, British Vogue, Marie Claire, Essence and the New Yorker. She has contributed to several books including “Runway Madness,” “No Sweat: Fashion, Free Trade and the Rights of Garment Workers” and “Thirty Ways of Looking at Hillary: Reflections by Women Writers.”

 

She has received numerous awards including several from the American Association of Sunday and Feature Editors. In 2007, she received the Eugenia Sheppard award for journlism from the Council of Fashion Designers of America. In 2006, she won the Pulitzer Prize in criticism for her fashion coverage.

 


In 2010, her book "Michelle: Her First Year As First Lady" was published in conjunction with the Washington Post.

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PULITZER-PRIZE PORTFOLIO

In 2006, I became the first fashion writer to win a Pulitzer Prize for criticism.

These are the stories that were submitted to the judges.

Where to find me: 
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1750 Pennsylvania Ave. NW
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Washington, DC 20006
202-626-2018

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